Archive for the ‘Overheard’ Category

setting up for informal showing

Friday, October 23rd, 2009

Michael working on Rope&Pulley, etc, etc, etc!
SANY0147

Voice over by April Sweeney

Friday, October 23rd, 2009

still alive voice over

Joy’s friend April came over to record sample snippets of my overheard cell phone conversations. She created beautiful characters; here is one. I remember this conversation well- I overheard it at the Starbucks near St Luke’s hospital.  It had  long pauses and the “speaker” was very quiet. Michael and I will use these elements to experiment. What is the effect of hearing one single voice, and then another added on top, and then another, and so on? We’ll see.

Heavy lifting

Thursday, October 22nd, 2009

MC projector
Wendy assisting
MC projector2

Projector Mount for Demo

Monday, October 12th, 2009

I’m brainstorming about ways to mount the projectors we’ll be borrowing from DPI onto the AutoPoles Wendy is purchasing.  I’ve found other ways to do this, but they are a bit pricey.


details

Friday, October 2nd, 2009

A typical email exchange:

On Fri, Oct 2, 2009 at 11:07 AM, Wendy Richmond <wendy@wendyrichmond.com> wrote:

Hi Michael
Yesterday was v helpful. I am reflecting!
Quick Q:
Was it hard to make those stand-alone stands for the digital frames? I think it wd be a good way to have a bunch of  frames around the room for our showing, so I am thinking about buying some cheap lamps– approx 6 of them. ( we already have 2 that you made)
If it is easier, we could avoid having the cord run thru the pole.
What do you think?
W

MC reply:
They are not so hard to make… I’ve attached a picture of the parts…  It is easier to not run the cord through the pole.  Gaffer’s tape on the back will keep things in check.
Michael

mc parts pic

overheard projection prototype: Blinking Cursor

Thursday, October 1st, 2009
Exploring some of Wendy’s typography inside a mocked-up space.

overheard projection prototype: Just Leave

Thursday, October 1st, 2009
Exploring some of Wendy’s typography inside a mocked-up space.

overheard projection prototype: On 59th

Thursday, October 1st, 2009
Exploring some of Wendy’s typography inside a mocked-up space.

More Ultrasonic Rangefinder Tests

Tuesday, September 29th, 2009

Now it’s time to try two of the ultrasonic rangers together and verify that I can use ethernet cable to connect them.  I want to be able to use ethernet cable for several reasons:

  • Cheap
  • Practically ubiquitous
  • Easy to terminate
  • Robust

In order to do this, I needed a way to plug an ethernet-style (8-pole 8-conductor) modular jack into a breadboard.  I last built one of these breakout boards when I was working on my thesis at ITP.  It was a time consuming process.

Since I’m planning to use these jacks in this project, it may make sense to create some printed circuit boards.

I’ve written previously about my process for etching boards, so I won’t repeat myself here.  I use a laser printer to put the board design on glossy paper, transfer it to copper-clad board using a hot iron, and then etch away the excess copper using a solution of copper chloride in aqueous hydrochloric acid.

After etching, drilling, and soldering…


The completed prototype circuit works with two sensors. I wrote a patch in Max/MSP to trigger sounds when a person walks past.

Ultrasonic Range Finder Tests

Thursday, September 24th, 2009

We’ve been discussing how to develop the interactive features of the installation.  I ordered some ultrasonic range finders (Devantech SFR-02 from Acroname) to see if they are suitable for our application.

I want to evaluate several things:

  • How easy is it to interface several of these devices to a microcontroller?
  • Can I use long (30′) ethernet cables to carry the control and data signals?

I hooked the sensor up as shown and found some Arduino code to interface with the sensor and gave it a try.   Success!  So why not try two?

Interfacing a second sensor was a bit more tricky.  The wiring was straightforward: simply wiring the second sensor’s SDA SCL signals in parallel with the existing sensor.  Setting the device address for the second sensor was not straightforward, however.

After reading the manual and trying unsuccessfully to set the device ID, I found a clue in the Arduino examples at Devantech’s website.  The ranger uses 8-bit addresses while the Arduino uses only 7 bits.  This explained why the Devantech documentation listed the default address of the SFR-02 as 0xE0, but the example Arduino code used  address 0×70.

0xE0 (hex) = 1110000

Shifting this number right to obtain 7 bits

0111000 = 0x70 (hex)

One problem solved, but I still can’t get the unit to change its ID.  More Googling turned up an Arduino Library for the SFR-02 by GrapeLabs which includes a ConfigureDeviceID function.

Seeing Before Building/Coding

Thursday, September 24th, 2009

I need some way to understand what types of text “animation” Wendy wants to use before writing lots of code to show her examples.  Bill Buxton describes a number of video techniques in Sketching User Experience.  Perhaps there is a way we can experiment with the animation without doing any coding.

I’m envisioning a space made of foamboard that we can interrogate with a video camera.  We can easily print out text and scroll it in front of the camera to get a sense of what it might look like in the space.

Governor’s Island, Anthony McCall

Sunday, September 20th, 2009

A beautiful projection installation in the chapel on Governor’s Island, by Anthony McCall.

McCall

McCall

Sketches and Mockups

Monday, September 14th, 2009

When Wendy and I met, I showed her the sketches and described my desire to better understand how we should animate the typography.  She had already been doing some sketching of her own in Keynote, so we compromised.  We started off projecting some of her slides onto walls.

Then, I quickly built some “gallery walls” using foamboard and we tried bunch of other experiments.  Stay tuned for the results.

visual cacophony

Saturday, September 12th, 2009

Gallery with type

gallery sketches

Saturday, September 12th, 2009

2_gallery_with_type

Michael’s 3D sketches

Lighting Possibilities Retry

Tuesday, August 25th, 2009

I re-encoded the original video using QuickTime Pro…

Output as QuickTime Movie (could have also tried “export  for web”)

Video settings
Compression: H.264
Quality: High
Key frame rate: 24
Bitrate: 720 kbits/sec (optimized for streaming)
Frame reordering: yes
Encoding mode: multi-pass
Dimensions: 640×480

Audio settings
Format: AAC
Sample rate: 48.000kHz
Channels: Stereo (L R)
Bit rate: 128 kbps

Optimize for fast start

outside the blog

Saturday, August 22nd, 2009

For the record:
In addition to our blog, we have ongoing emails. The initial email might be about scheduling a meeting, and then grow to include questions and research about, well, anything. Here’s an example, after I told Michael I wanted to meet in the city so I could buy a projector, maybe at B&H.

Wendy,
Here’s about an hours worth of searching.  I stumbled onto pico pocket projectors.  Let me know if you want me to back out to “normal” projectors and see about low cost.  My view is that the small projectors could be a good prototyping tool for you in the same way that the photo frames and the XActi camera are.  You may even be able to connect your XActi to one of these.
Michael

(The email had an attached  PDF)

Lists (a start)

Saturday, August 22nd, 2009

Interactions:

  • Cranking
  • Sitting or standing (eg a switch, or weight)
  • Proximity
  • Motion detection
  • Pulling/pushing
  • Running (e.g. treadmill)
  • Color detection
  • Sound (e.g. of you clap, it turns something on)
  • Opening/closing (e.g. door, window, drawer)
  • Positional sensing
  • Hitting keys
  • etc…

Static Type:

  • Spray paint
  • Silk screen
  • etching
  • Letterpress
  • Stencil
  • Cut out
  • Scratch
  • Burn
  • Scribble
  • Sandblast
  • Woodblock
  • Magic marker
  • Pencil
  • Typewriter
  • Sewn/needlepoint
  • Neon
  • LED
  • etc…

Materials:

  • clay
  • Wood
  • Cardboard
  • Plastic
  • Styrofoam
  • Cloth
  • Paper
  • Glass
  • Metal
  • Rubber
  • Screen
  • Leather
  • Carpet
  • Grass
  • Sand
  • Food
  • Concrete
  • etc…

Typographic manipulations:

  • Letter spacing
  • Line spacing
  • Bigger/smaller
  • Fonts (reg, bold, italic, black, condensed, etc)
  • Color
  • Focus—in/out
  • Rotate
  • Distort
  • etc…

Sound Inspirations

Thursday, August 20th, 2009
Act I – The HighLine IMG_1987 My father and sister came to visit this week and we spent a bit of time out and about in New York City.  One of the places we visited was the HighLine – a recently opened park utilizing elevated space along the west side of Manhattan that was formerly a railway freight line.  As we walked through one of the more “designed” areas of the park (pictured above) which passes through a building, I heard something which got me thinking about acoustics in a space.  At certain spots in the space, I could hear  music playing and in others, I simply heard the background.  There were also spots where I could hear conversations around me more clearly.  This got me thinking about the role of “obstructions” and surfaces in the context of this installation work. This idea seems to resonate somewhat with Wendy’s last post about focusing sound. What if the space had features which reflected the sound so it could be focused in different ways? Act II – Moveable Type I also revisited the “Moveable Type” installation at The New York Times building on 42nd St and found myself much more focused on the sound of this installation.  In addition to the ambient sound design that accompanies the transitions between the scenes in the work, it seems to me that each of the 560 vacuum-fluorescent display modules also contains a speaker.  This has the effect of providing localization to some of the specific transition sounds.  I have a hard time imagining the installation without these sounds.  While they are almost akin to “sound effects”, they seem to me to add impact to the visual transitions in a way that just feels right.  The little clicks and zaps add dimension and context (perhaps through subtle sonic editorializing) to the information that is displayed.  Without these sounds, the quantity of text is overwhelming. I’m also thinking about the connection  between the movement of the text and the way the sound reinforces the visual effect of that movement.  They’re bound tightly together. Act III – Fashioning Felt IMG_2043 The Cooper-Hewitt Museum’s Fashioning Felt exhibition gave me an opposite experience from the one I had while walking through the HighLine.  Several of the works in the exhibition were acoustical panels made from industrial felt.  I wasn’t aware of felt’s sound absorbing properties.  Seeing (and hearing) how much the Diller Scofidio + Renfro designed conference room wall divider (a sandwich of clear polycarbonate between two patterened sheets of waterjet cut industrial felt) absorbed sound make me think of how this sort of material could be used to control the acoustic space of our installation.

ear focus

Tuesday, August 18th, 2009

Has the following ever happened to you? You are in a room full of people. Every one is talking and it is a big jumble. Then someone, somewhere in the room, says something of interest to you—like the name of the movie you saw last night, or the town you grew up in – or better yet, YOUR name–  and all of a sudden, that person’s voice becomes more clear, more prominent. It is as though your ear is a camera with a zoom lens, and you have just zoomed in and focused.